The Evolution of Minorities in Film Essay -- Movie Film Essays

The Evolution of Minorities in FilmBack in the 1800s, when calculating the population, African the Statesns were counted as 3/5 of a person (Antonia, p2). One would speak out that in the past two hundred years peoples beliefs would have changed a little bit, but the general white earth argon stuck into believing the common stereotypes commonly portrayed in movies. In films and television shows blacks are almost always portrayed as murderers, robbers, rapists, clean much anything negative, like American History X, for example. Two black hands are shown breaking into a white mans car. tidy sum see this, and in turn believe that all black workforce will try and steal their car as stupid as it may seem, it is true, and as a result, film producers try to incorporate this into their films. in truth rarely, if ever, is it possible to see a minority depicted as a hero-type figure. Every once in a while, there will be an independent film from a minority director, but as Schultz st ates in Lyons piece, We blacks are still being ghettoized in Hollywood, a right black project of any scope is as difficult to chance marketed today as it was in the 70s. By making a breastwork to entry for minorities in the film industry, its almost as if America is trying to keep black films out of the popular media. At first glimpse, it may appear that minorities are very hard to be seen in the filming industry, when in reality, they are becoming more and more manifest in Americas mainstream media culture, particularly in action movies. MacDonald verbalize in Allan Smiths essay, American mass culture go along to operate as an assimilative force, seeking to maintain social constancy while gradually merging people of different backgrounds into the cult... ...ral trend of how minorities are making a bigger and bigger impact on American mainstream culture. All America can do is smile and be substance at the fact that minorities are finally getting the respect they d eserve. deeds CitedAntonia, Kathleen. A Lesson Before Living Humanist, March/April 2001,Volume 61 anesthetise 2, p.43. Beck, Bernard. What Price Glory? Multicultural Perspectives, 1999, Volume 1 Issue 1, p.26.Brinkley, Douglas. Edward Nortons Primal Fear George, October 1998, Volume 3 Issue 10, p.110.Lyons, N.L. From Race Movies to Blaxploitation to Homeboy Movies AmericanVisions, February 1992, Volume 7 Issue 1, p. 42.Smith, Allan. Seeing Things Race, Image, and National Identity inCanadian and American Movies and Television Canadian Review of American Studies, dip 1996, Volume 26 Issue 3, p. 367.