Characterization in Hawthornes Young Goodman Brown Essay -- Young Goo

Characterization in Young Goodman Brown The dialogue, ch all(prenominal)enge and pauperization revolve about the characters in the story (Abrams 32-33). It is the purpose of this undertake to demonstrate the types of characters present in Nathaniel Hawthornes Young Goodman Brown, whether static or dynamic, whether flat or plump out, and whether protrayed through showing or telling. There atomic number 18 only three well-developed, or three dimensional characters, in this bunco story, and they are the protagonist, Goodman Brown, and his wife, Faith, and the fellow-traveller or the devil. Faith is, of course, less well developed than her economise much of her development comes from inference rather than from action,dialogue and explicitly expressed motivation as in the case of Goodman Brown. From the very outset of the tale, Goodman is a soulfulness of action YOUNG GOODMAN BROWN came forth at sunset, into the street of capital of Oregon village, but put his head back, subsequently crossing the threshold, to exchange a parting kiss with his puppyish wife. The reader sees him develop emotionally nevertheless as he walks away towards the woods So they parted and the young man pursued his way, until, being about to turn the corner by the meeting-house, he looked back and saw the head of Faith still peeping after him, with a melancholy air, in spite of her pink ribbons. Poor short Faith thought he, for his heart smote him. What a wretch am I, to see her on such an errand She talks of dreams, too. Methought, as she spoke, there was trouble in her face, as if a dream had warned her what work is to be done tonight. But, no, no twould kill her to think it. Well shes a blessed angel on earth and after this one night, Ill cling to h... ...h these grave, reputable, and pious people, these elders of the church, these chaste dames and wet virgins, there were men of dissolute lives and women of spotted fame, wretches given over to all mean and filthy vice, and suspected even of horrid crimes. In this strain on Nathaniel Hawthornes Young Goodman Brown we have seen that the narrators use of the showing technique presents two dynamic characters, three round characters and a host of undeveloped, static characters. WORKS CITED Abrams, M. H. A Glossary of literary Terms, 7th ed. New York Harcourt Brace College Publishers, 1999. Hawthorne, Nathaniel. Young Goodman Brown. 1835. http//www.cwrl.utexas.edu/daniel/amlit/goodman/goodmantext.html Wagenknecht, Edward. Nathaniel Hawthorne The Man, His Tales and Romances. New York Continuum Publishing Co., 1989.